For Robbe-Grillet, the function of language is not a raid on the absolute, a violation of the abyss, but a progression of names over a surface, a patient unfolding that will gradually "paint" the object, caress it, and along its whole extent deposit a patina of tentative identifications, no single term of which could stand by itself for the presented object. [...]I love how Jealousy calls for such scrupulous close reading--a "detective" novel that leaves the reader noting clues on the nature of existence rather than on a mere (questionable) crime, due to the systematic erasure of subjectivity achieved.
Robbe-Grillet is important because he has attacked the last bastion of the traditional art of writing: the organization of literary space.
It is sad to know that no more words will flow from his pen, but it is hoped that his books will be read with even greater attention.
(via ReadySteadyBlog)
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