Both Volpi and Vásquez agree that a common element of the 39 is that they do not share any one theme, ideology or literary voice:
“Lo que ha pasado es que se ha producido un fenómeno de desregionalización de la producción artística, en donde no tenemos que ser aprobados en nuestros países y, en el exterior, no se nos exige que escribamos como latinoamericanos, con los tonos del realismo mágico. Finalmente se está dando un proceso en donde uno encuentra su público en pequeños grupos de personas que no tienen por qué estar supeditados a un territorio en concreto. Vamos hacia un panorama más libre”, describe Volpi.("What's happened is that a phenomenon of non-regionalist artistic production has emerged where we don't have to be approved in our own countries and, in the exterior, they don't demand that we write like Latin Americans, with tones of magical realism. It's finally creating a process where one finds his or her public in small groups of people that don't have to be tied to a specific territory. We're moving towards a more open outlook", describes Volpi.)
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